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- THEATER, Page 94Daydreaming
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- THE SNOW BALL
- By A.R. Gurney
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- On the surface, this new "comedy with dancing" depicts the
- Sisyphean efforts of a handful of fiftyish, faded Wasps to
- revive the most glittering institution of their youth, a
- midwinter charity ball. A few of the daydreamers become fixated
- on reuniting the best dancers among them, a onetime romantic
- couple who were always outsiders in this prim upper-middle-class
- world: a girl who was much richer than the rest and a handsome
- "Irishman on the make" who was much poorer, Roman Catholic, and
- a blunt social climber. These two roles are double-cast to make
- the many flashbacks more vivid and to allow for an evocative
- reunion number, choreographed by Graciela Daniele, in which the
- two elders dance simultaneously in the present, in the past and,
- reaching across time, with their own younger selves.
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- Despite Jack O'Brien's adroit staging, the production at
- Boston's Huntington theater suffers from the uneven acting and
- imperfect casting that can give regional theater a bad name. But
- as always with Gurney, there is deep ambition beneath the whimsy
- and nostalgia. His real subject is middle-aged males' yearning
- for the lost premise that underlay social dancing: the
- assumption that the man would lead. The central character -- a
- drab real estate agent organizing the Snow Ball -- looks up at
- three memorable debutantes of his youth, again installed in the
- Snow Queen's sleigh. He labels them goddess, wife and mistress
- and ardently wishes he could have them all forever. In fact,
- none "belongs" to him. Men of Gurney's generation have lived in
- a radically evolving world, and many, he says, are still
- struggling to make peace with the changes.
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- By William A. Henry III.
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